(written early last year, during my second trip in Hawaii)
Ok, so I may have softened a little on the fountainhead. Yes, I still think it is mostly pompous rape/cuckoldry fantasy done up in flimsy drag as radical philosophy. But it can be a reasonably readable book when it isn't busy monologuing and explaining everything.
If you haven't noticed, I've been kind of hard on this book from the start. My irritation comes from three sources. One is obvious: the book itself is irritating. The hero worship starts on the first page and only get cringingly more fawning as it goes. The philosophy of the whole thing is so black and white and so condescending and pedantic that even when a good point is made, you want to disagree with it because you know that had that point been made in that same way in real life, it would have been made by someone you hate.
The second is a few well-meaning friends commenting when they heard that I was going to read it that I should be careful and not be taken in by Ms. Rand's wily storytelling. I know that they are afraid of me becoming as annoying as they were when they were fifteen and read it and thought it was mind-blowing that someone could suggest that being selfish was something to aspire to and felt it really spoke to their frustrations with all the mindless imbeciles that every teenager feels surrounded by (and not always without reason). I'm not exactly a teenager and don't exactly shy away from fairly difficult reading, so I'll admit to being mildly offended by this well-meant warning. Ok, initially miffed and increasingly full stop offended as I've proceeded through the book.
The third reason is that over the years too many people have made comments like, "Have you read the fountainhead? I think you'd like it. Your take on things reminds me of it." Which is not unlike when I worked at a summer camp one year and was told repeatedly that I was just like Dan Edge who had worked there the year before. "You are just like Dan Edge, except he was a total asshole." Thanks. So my take on things reminds people of the philosophy expounded in what may be the most annoying book I have ever read? Great.
So, yes, I walked into this with unfair baggage, already prepped to dislike the book. But the baggage was only unfair because I hadn't read it yet, not because the book wasn't annoying enough to deserve the derision outright.
Actually, I should be clear. If this were a random tome picked out of obscurity from some shelf, I would have nicer things to say about it. It is reasonably well written. The characters are well developed, even if annoyingly developed as one-note sychophants, and the plot keeps sort of twisting til the end. As just a book that had managed to get published, I would judge it kindly and might have finished it, though probably not and if I had would have found it reasonably thought provoking even if a little naked about its intentions. But it isn't just some random book. It is a book which tons of people hold up as this life changing experience and a brilliant mind expanding read. At the end of the day, it is a bold attempt at sexualized hero worship, a story about a woman getting to be bored by the mediocrity of the world and lashing out with her beauty and competence and status to keep it all at bay until she meets this powerful machine of a man-god to ravage her. Yawn.
Showing posts with label review. Show all posts
Showing posts with label review. Show all posts
Thursday, December 18, 2008
the fountainhead: Part II
(written early last year, on my second trip in Hawaii)
I don't know if I am going to make it. I really don't. I'll put down a book because I think it is wasting my time or I'm just not in the right frame of mind to digest it at the moment; normally not a problem. But this isn't just a book which sucks, this is a book which sucks and has a rampant following of people who felt led to adolescent epiphanies by this book's bold declaration that most people are obnoxious and that only the defiant artist (and very few of them) could have true integrity. And being who I am, I'm certain at some point I'll end up surrounded by people whose lives were changed or whose minds were opened by the fountainhead and someone will see me roll my eyes and say, "What?" and I'll answer. And then it would come out that I couldn't finish the book and they'll smugly dismiss my opinion and suggest that I didn't have the strength of character to finish such a noble and challenging book blah blah blah. And I'd rather finish it and be able to say it all was annoying instead of having to listen to someone say that the last little chunk was where it was all tied together and that of course I didn't get it if I didn't finish it.
And I may not finish it, but if I can't, it won't be for lack of stamina but for lack of stomach. I finally took a break and decided to read something else, so I've just finished Battlefield Earth, the longest sci-fi novel in history. I'll write about that separately, but a total joy to read and let no one say it was the length of the novel that turned me off from the fountainhead. I'm trying, I really am.
I still think that the novel is pompous rape-fantasy, which at the end of the day is the most cowardly kind of fantasy, but perhaps also one of the most common. I don't think the prevalence of it as fantasy is acknowledged enough. The desire to be violated. It is the secret dark dream of the pious and holier-than-thou. It is the wish to experience carnal things but without having to experience any of the responsibility for the act. "I was forced!" This is not to make light of rape or to suggest that in real life that people who demurely suggest that they won't go any further are asking for it or that no really means yes; this isn't about that at all. I'm talking strictly in the realm of fantasy and how so many people use secret rape fantasy as the route to accessing taboo desires. If they imagine themselves as violated, then they couldn't be guilty of dreaming about sex or whatever guilty pleasure they dream of, can they? Not that this doesn't have its real world correlaries, with people who aren't yet comfortable in their sexuality seeking out predatory or manipulative types so they can feel compelled into something they desire but still feel guilty about.
Perhaps I am getting off track. I really don't mean this to be simply sexual or for it to all be simply guilt centered. (Unfortunately, I can't remember what the hell else I meant to write about it, though. This is the point where I cut it off when I was originally writing about it and never seemed to get back to it. I've read and reread it thinking I'll one day finish it and so have gone almost a year now without publishing these three essays on the fountainhead, but I've decided enough is enough so here they are in all their unfinished glory).
I don't know if I am going to make it. I really don't. I'll put down a book because I think it is wasting my time or I'm just not in the right frame of mind to digest it at the moment; normally not a problem. But this isn't just a book which sucks, this is a book which sucks and has a rampant following of people who felt led to adolescent epiphanies by this book's bold declaration that most people are obnoxious and that only the defiant artist (and very few of them) could have true integrity. And being who I am, I'm certain at some point I'll end up surrounded by people whose lives were changed or whose minds were opened by the fountainhead and someone will see me roll my eyes and say, "What?" and I'll answer. And then it would come out that I couldn't finish the book and they'll smugly dismiss my opinion and suggest that I didn't have the strength of character to finish such a noble and challenging book blah blah blah. And I'd rather finish it and be able to say it all was annoying instead of having to listen to someone say that the last little chunk was where it was all tied together and that of course I didn't get it if I didn't finish it.
And I may not finish it, but if I can't, it won't be for lack of stamina but for lack of stomach. I finally took a break and decided to read something else, so I've just finished Battlefield Earth, the longest sci-fi novel in history. I'll write about that separately, but a total joy to read and let no one say it was the length of the novel that turned me off from the fountainhead. I'm trying, I really am.
I still think that the novel is pompous rape-fantasy, which at the end of the day is the most cowardly kind of fantasy, but perhaps also one of the most common. I don't think the prevalence of it as fantasy is acknowledged enough. The desire to be violated. It is the secret dark dream of the pious and holier-than-thou. It is the wish to experience carnal things but without having to experience any of the responsibility for the act. "I was forced!" This is not to make light of rape or to suggest that in real life that people who demurely suggest that they won't go any further are asking for it or that no really means yes; this isn't about that at all. I'm talking strictly in the realm of fantasy and how so many people use secret rape fantasy as the route to accessing taboo desires. If they imagine themselves as violated, then they couldn't be guilty of dreaming about sex or whatever guilty pleasure they dream of, can they? Not that this doesn't have its real world correlaries, with people who aren't yet comfortable in their sexuality seeking out predatory or manipulative types so they can feel compelled into something they desire but still feel guilty about.
Perhaps I am getting off track. I really don't mean this to be simply sexual or for it to all be simply guilt centered. (Unfortunately, I can't remember what the hell else I meant to write about it, though. This is the point where I cut it off when I was originally writing about it and never seemed to get back to it. I've read and reread it thinking I'll one day finish it and so have gone almost a year now without publishing these three essays on the fountainhead, but I've decided enough is enough so here they are in all their unfinished glory).
the fountainhead: Part I
(written early last year, on my second trip in Hawaii)
On my first trip, I headed to sea with far too few books. I didn't think this when I left; the weight of the books was a ridiculous addition to an already cumbersome collection of junk. But you never realize how quickly you can read books when you take away other forms of distraction. Suddenly held tight on a boat where only one other person really speaks english well enough to hold a conversation and you suddenly plow through books like a maniac. Not all because you necessarily love them, but simply by the fact of them being there. Anyway, this trip I swore I wouldn't spend three days straight playing Snood on my cell phone and grabbed books like crazy.
"Like crazy" may be a more appropriate description than I would like to admit. I had all these plans of going book hunting and buying tons of great books and reading them and being all excited, but somehow with all the days spent in the office and then running around doing all my other tasks in that short valuable time that we spend on land, I didn't go out book shopping. Thankfully, as I unloaded the books I had read, I picked through the assorted books left behind at the house and the gear shed and came away with a motley crew of things which I had thought perhaps in the past of reading, but knew there was no way on earth I would ever read most of them in any other situation. So here I find myself in the middle of the ocean with Battlefield Earth by L. Ron Hubbard, The Good Earth by Pearl Buck, Tropic of Cancer by Henry Miller, Jewell by Brett Lott, The Winter of Our Discontent by John Steinbeck, and the fountainhead by ayn rand (I also have Morning in the Burned House by Margaret Atwood and A Lover's Discourse by Roland Barthes, but since these made the previous trip with me and have both been read and picked apart many times, they seem to require separate mention). For some unknown reason, I decided to pick up the fountainhead. It had to happen sometime.
Why do I persist in refusing to capitalize the title of the book or its authors name? Because I have begun reading the book. THIS is the heralded beacon of reason and objectivity that annoying goth kids in high school and pretentious college antagonists have gushed so enthusiastically about? Granted, I'm not finished with the book, but I wouldn't have trudged past the first chapter if I wasn't stuck on a boat and wasn't rationing my few precious downloaded episodes of America's Next Top Model like they were manna from heaven. But I am on a boat, so I'm going to finish the damn thing.
It isn't exactly a painful read. It might be reasonably enjoyable if it didn't have all that reverent hoojab about how great and life changing it is. It is written as poorly as Ishmael (speaking of reverently adored, eye-opening, badly written books), but at least Ishmael did have some eye opening insight to offer which wasn't found laid out as directly or as challengingly in other books, even if it was clunkily chinked into a silly story. the fountainhead doesn't have all that much which is eye opening and unavailable elsewhere. It is basically just elaborate rape fantasy spruced up as Frank Lloyd Wright fan fiction. If she manages to cram in the description of a shirt clinging to the shoulder blades of another man, I'll throw up. The book starts with a naked dude looking at nature and thinking about how he would control it and overpower it, how it was waiting for him to take control and improve upon it. Force himself upon it, if you will, but as it has been waiting for someone to do, for someone to bring it to that climax that only this ultimate man could deliver. Throw in some other characters, some time, a perfect beautiful stone-cold bitch, a nice trajectory to the bring them together... whatever.
The book is fine as what it is. The story is reasonably engaging, the characters sometimes border on likeable and you even find yourself wanting to see Mr. Roark's buildings get built. But unless there is something really waiting for the last half of the book to bring it all together and make this profound commentary that people have told me this book makes, this is just one more book that I really couldn't recommend anyone devoting the time to unless they find themselves stuck in the middle of the Pacific with only a few books at hand.
On my first trip, I headed to sea with far too few books. I didn't think this when I left; the weight of the books was a ridiculous addition to an already cumbersome collection of junk. But you never realize how quickly you can read books when you take away other forms of distraction. Suddenly held tight on a boat where only one other person really speaks english well enough to hold a conversation and you suddenly plow through books like a maniac. Not all because you necessarily love them, but simply by the fact of them being there. Anyway, this trip I swore I wouldn't spend three days straight playing Snood on my cell phone and grabbed books like crazy.
"Like crazy" may be a more appropriate description than I would like to admit. I had all these plans of going book hunting and buying tons of great books and reading them and being all excited, but somehow with all the days spent in the office and then running around doing all my other tasks in that short valuable time that we spend on land, I didn't go out book shopping. Thankfully, as I unloaded the books I had read, I picked through the assorted books left behind at the house and the gear shed and came away with a motley crew of things which I had thought perhaps in the past of reading, but knew there was no way on earth I would ever read most of them in any other situation. So here I find myself in the middle of the ocean with Battlefield Earth by L. Ron Hubbard, The Good Earth by Pearl Buck, Tropic of Cancer by Henry Miller, Jewell by Brett Lott, The Winter of Our Discontent by John Steinbeck, and the fountainhead by ayn rand (I also have Morning in the Burned House by Margaret Atwood and A Lover's Discourse by Roland Barthes, but since these made the previous trip with me and have both been read and picked apart many times, they seem to require separate mention). For some unknown reason, I decided to pick up the fountainhead. It had to happen sometime.
Why do I persist in refusing to capitalize the title of the book or its authors name? Because I have begun reading the book. THIS is the heralded beacon of reason and objectivity that annoying goth kids in high school and pretentious college antagonists have gushed so enthusiastically about? Granted, I'm not finished with the book, but I wouldn't have trudged past the first chapter if I wasn't stuck on a boat and wasn't rationing my few precious downloaded episodes of America's Next Top Model like they were manna from heaven. But I am on a boat, so I'm going to finish the damn thing.
It isn't exactly a painful read. It might be reasonably enjoyable if it didn't have all that reverent hoojab about how great and life changing it is. It is written as poorly as Ishmael (speaking of reverently adored, eye-opening, badly written books), but at least Ishmael did have some eye opening insight to offer which wasn't found laid out as directly or as challengingly in other books, even if it was clunkily chinked into a silly story. the fountainhead doesn't have all that much which is eye opening and unavailable elsewhere. It is basically just elaborate rape fantasy spruced up as Frank Lloyd Wright fan fiction. If she manages to cram in the description of a shirt clinging to the shoulder blades of another man, I'll throw up. The book starts with a naked dude looking at nature and thinking about how he would control it and overpower it, how it was waiting for him to take control and improve upon it. Force himself upon it, if you will, but as it has been waiting for someone to do, for someone to bring it to that climax that only this ultimate man could deliver. Throw in some other characters, some time, a perfect beautiful stone-cold bitch, a nice trajectory to the bring them together... whatever.
The book is fine as what it is. The story is reasonably engaging, the characters sometimes border on likeable and you even find yourself wanting to see Mr. Roark's buildings get built. But unless there is something really waiting for the last half of the book to bring it all together and make this profound commentary that people have told me this book makes, this is just one more book that I really couldn't recommend anyone devoting the time to unless they find themselves stuck in the middle of the Pacific with only a few books at hand.
Saturday, April 26, 2008
It's the little things...
I'm always blabbing about how the movie selection at sea is completely nonsensical. Which, of course, is not a complaint. Today one of the crew was letting me look through a collection of dvd's that he had with him and he explained that he had watched most of his dvd's a thousand times so he had borrowed his kids' collection. I thought this was great, since I'm a total sucker for kid's movies and can't wait to watch Chicken Little and Open Season sometime, but today I settled on Zoom: Academy for Superheroes.
Why not? I really didn't know anything about it except that it was big budget, so it should have good special effects and it has Tim Allen in it, so it shouldn't take itself too seriously. And I like super hero flicks and kids-kicking-ass movies are always the best. If you don't expect too much and just want to be entertained, this kind of thing can be perfect.
And really, based on the criteria that I just laid out, it was perfect. Special effects were spot on, the visual presentation was great, the story silly but you could roll with it, the movie made fun of itself and was slap-stick goofy. I really wanted to just like it, just enjoy the schlocky comic-ness of it, but a couple of things stuck in my craw and just ruined the whole damn thing (ok, didn't ruin it all, I still enjoyed it, but pissed me off enough that I'm sitting here tapping away about it).
It is always the little details that fuck things up. Just a couple of slightly different changes and it wouldn't have left any bad taste in my mouth. The one that was the tipping point is a stupid one; I'll concede that right here at the beginning. The whole schtick of the movie is there are these sort of weirdo outcast kids who have special powers who are brought together by the military to turn into this super team. One of the team members is the requisite hot redhead with psychic powers. You'd think I'm getting in a huff because this is such a blatant Jean Grey rip-off, but no, I just let that go. Cheesy "let's throw together a super team" movies are always ripping off classic comic heroes. It happens. But to introduce her to us, they show a scene in high school where the cheerleaders are treating her like shit and she makes the cafeteria food attack them, so all in all a completely satisfying scene. For the record, I don't hate cheerleaders, kind of actually love that they exist and plan on watching the Bring It On sequel that is in this same movie collection, but we all knew some cheerleaders who were straight-up bitches and who deserved more than anything to have cafeteria food explode all over them. So anyway, I like this girl from the start. The actress playing her is so unbelievably beautiful, but in a quiet kind of way and she plays the character well.
So everything goes great and they win (suprise!) and they have a stupid back to their daily life sequence. This was painful and idiotic enough as these things inherently are, but, aside from the little princess girl's bit which was kind of cute and didn't make you hate the director, the rest of them were nothing except cringe-inducing. Part of what made them so obnoxious is how they were obviously supposed to show how these outcast kids were now socialized and included and celebrated by their families and peers. Don't they get that we liked the kids because they were outcasts and weirdos? Show that they've learned to deal with their differences, but don't put the fat kid on a soccer team and DON'T DON'T DON'T turn the hot redheaded outcast into a fucking cheerleader!!!! Again, I have nothing against cheerleaders as a whole though I will concede that as a rule teenage girls who become cheerleaders tend towards the dark side. But high school is a dark time, we all tended towards the dark side in our own little ways back then. I just don't want my cheesy fun movies to feed up evil cheerleader nightmare bitches as the foil to the cool outcast that they treat like dirt and then after showing me how likable and fun she is and giving her super powers to show me an after-the-adventure sequence about how she is now using her superpowers as a cheerleader!!!! Let her and her hot super boyfriend be all cute and obnoxious teen-lovebirdy but don't turn her into the evil thing you started out pitting her as different from. Look, she'll show those bitches; oh look, now she is one. Good job, geniuses.
So I warned you that this was something stupid to get pissed off about, but I'm blogging about it. Blogging is all about petty rages over things that are too stupid to actually discuss in real life (though had I watched this movie with my friends instead of here in solitary confinement, I'd be having this conversation in realtime, but we can pretend like I am socially savvy enough to not waste actual quality time on such petty complaints). The second major complaint is perhaps a little more cogent.
So they assembled this super team and they bring them in and decide to have this stupid try-out bit. The whole try-out thing was dumb to start with since they had already shown us little a-day-in-the-life sequences for each of the ones who would be picked so it wasn't like we didn't already know who the super heroes were going to be. Still, it was kind of funny so I can't really hate on it being in the movie. I can hate on their casting for it. I'm not Mr. Super-PC. I get exhausted by political correctness as much as the next guy, but you can pull your head out of your ass and show a little bit of sense when you cast for shit like this. I don't care that the whole team was white kids. Big fucking deal, not the only superhero movie and every silly film doesn't have to be an equal opportunity event, but if you are going to have a team of lily white kids, do you have to have the casting sequence where every person not picked for the team isn't white and has lame-ass super powers? I mean, come on. So you want to have a little American Idol moment so Tim Allen can play Simon to Courtney Cox's Paula (and Chevy Chase's Randy Jackson), fine. Ha ha, get some laughs with it. And you want to have a team that is all white kids, again, I don't care. Fine, do it, I liked the kids they cast for the parts. Just make all the lame kids white too. Or most of the lame kids white... or even one of them! Because when you make all the lame kids black/hispanic/asian/mixed and all the super kids white, I can't just enjoy my cheesy damn movie and instead have to think about racial politics and if that is really what I wanted to be doing I'd have been watching The Color Purple (ok, so if they had The Color Purple on this boat, I would so be watching it instead but you know what I mean). This isn't a real super hero movie, leave the racial metaphors for the X-Men, just make your Tim Allen feel-good family fun flick. Having lot's of people of color for extras doesn't make the movie racially sensitive, it makes it racially distracting. It doesn't make me furious or troubled, it just makes me think whoever did the casting for the extras is an idiot.
So anyway, should you watch the movie? If you are stuck on a boat in the middle of the pacific ocean, completely cut off from society and facing a limited number of movie options like moi, then I heartily recommend it. You'll love it and it will be a nice break from Steven Segal flicks. If you are in a movie store and could pick anything you want? You could do worse and if you have the stomach for kid action movies, you'll probably enjoy it. It is worth watching just for the little blonde girl with super strength's outfits and temper tantrums.
Why not? I really didn't know anything about it except that it was big budget, so it should have good special effects and it has Tim Allen in it, so it shouldn't take itself too seriously. And I like super hero flicks and kids-kicking-ass movies are always the best. If you don't expect too much and just want to be entertained, this kind of thing can be perfect.
And really, based on the criteria that I just laid out, it was perfect. Special effects were spot on, the visual presentation was great, the story silly but you could roll with it, the movie made fun of itself and was slap-stick goofy. I really wanted to just like it, just enjoy the schlocky comic-ness of it, but a couple of things stuck in my craw and just ruined the whole damn thing (ok, didn't ruin it all, I still enjoyed it, but pissed me off enough that I'm sitting here tapping away about it).
It is always the little details that fuck things up. Just a couple of slightly different changes and it wouldn't have left any bad taste in my mouth. The one that was the tipping point is a stupid one; I'll concede that right here at the beginning. The whole schtick of the movie is there are these sort of weirdo outcast kids who have special powers who are brought together by the military to turn into this super team. One of the team members is the requisite hot redhead with psychic powers. You'd think I'm getting in a huff because this is such a blatant Jean Grey rip-off, but no, I just let that go. Cheesy "let's throw together a super team" movies are always ripping off classic comic heroes. It happens. But to introduce her to us, they show a scene in high school where the cheerleaders are treating her like shit and she makes the cafeteria food attack them, so all in all a completely satisfying scene. For the record, I don't hate cheerleaders, kind of actually love that they exist and plan on watching the Bring It On sequel that is in this same movie collection, but we all knew some cheerleaders who were straight-up bitches and who deserved more than anything to have cafeteria food explode all over them. So anyway, I like this girl from the start. The actress playing her is so unbelievably beautiful, but in a quiet kind of way and she plays the character well.
So everything goes great and they win (suprise!) and they have a stupid back to their daily life sequence. This was painful and idiotic enough as these things inherently are, but, aside from the little princess girl's bit which was kind of cute and didn't make you hate the director, the rest of them were nothing except cringe-inducing. Part of what made them so obnoxious is how they were obviously supposed to show how these outcast kids were now socialized and included and celebrated by their families and peers. Don't they get that we liked the kids because they were outcasts and weirdos? Show that they've learned to deal with their differences, but don't put the fat kid on a soccer team and DON'T DON'T DON'T turn the hot redheaded outcast into a fucking cheerleader!!!! Again, I have nothing against cheerleaders as a whole though I will concede that as a rule teenage girls who become cheerleaders tend towards the dark side. But high school is a dark time, we all tended towards the dark side in our own little ways back then. I just don't want my cheesy fun movies to feed up evil cheerleader nightmare bitches as the foil to the cool outcast that they treat like dirt and then after showing me how likable and fun she is and giving her super powers to show me an after-the-adventure sequence about how she is now using her superpowers as a cheerleader!!!! Let her and her hot super boyfriend be all cute and obnoxious teen-lovebirdy but don't turn her into the evil thing you started out pitting her as different from. Look, she'll show those bitches; oh look, now she is one. Good job, geniuses.
So I warned you that this was something stupid to get pissed off about, but I'm blogging about it. Blogging is all about petty rages over things that are too stupid to actually discuss in real life (though had I watched this movie with my friends instead of here in solitary confinement, I'd be having this conversation in realtime, but we can pretend like I am socially savvy enough to not waste actual quality time on such petty complaints). The second major complaint is perhaps a little more cogent.
So they assembled this super team and they bring them in and decide to have this stupid try-out bit. The whole try-out thing was dumb to start with since they had already shown us little a-day-in-the-life sequences for each of the ones who would be picked so it wasn't like we didn't already know who the super heroes were going to be. Still, it was kind of funny so I can't really hate on it being in the movie. I can hate on their casting for it. I'm not Mr. Super-PC. I get exhausted by political correctness as much as the next guy, but you can pull your head out of your ass and show a little bit of sense when you cast for shit like this. I don't care that the whole team was white kids. Big fucking deal, not the only superhero movie and every silly film doesn't have to be an equal opportunity event, but if you are going to have a team of lily white kids, do you have to have the casting sequence where every person not picked for the team isn't white and has lame-ass super powers? I mean, come on. So you want to have a little American Idol moment so Tim Allen can play Simon to Courtney Cox's Paula (and Chevy Chase's Randy Jackson), fine. Ha ha, get some laughs with it. And you want to have a team that is all white kids, again, I don't care. Fine, do it, I liked the kids they cast for the parts. Just make all the lame kids white too. Or most of the lame kids white... or even one of them! Because when you make all the lame kids black/hispanic/asian/mixed and all the super kids white, I can't just enjoy my cheesy damn movie and instead have to think about racial politics and if that is really what I wanted to be doing I'd have been watching The Color Purple (ok, so if they had The Color Purple on this boat, I would so be watching it instead but you know what I mean). This isn't a real super hero movie, leave the racial metaphors for the X-Men, just make your Tim Allen feel-good family fun flick. Having lot's of people of color for extras doesn't make the movie racially sensitive, it makes it racially distracting. It doesn't make me furious or troubled, it just makes me think whoever did the casting for the extras is an idiot.
So anyway, should you watch the movie? If you are stuck on a boat in the middle of the pacific ocean, completely cut off from society and facing a limited number of movie options like moi, then I heartily recommend it. You'll love it and it will be a nice break from Steven Segal flicks. If you are in a movie store and could pick anything you want? You could do worse and if you have the stomach for kid action movies, you'll probably enjoy it. It is worth watching just for the little blonde girl with super strength's outfits and temper tantrums.
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